A best-selling classic in a fresh new paperback edition
A breakaway bestseller since its first printing, All Souls takes us deep into Michael Patrick MacDonald’s Southie, the proudly insular neighborhood with the highest concentration of white poverty in America. Rocked by Whitey Bulger’s crime schemes and busing riots, MacDonald’s Southie is populated by sharply hewn characters like his Ma, a miniskirted, accordion-playing single mother who endures the deaths of four of her eleven children. Nearly suffocated by his grief and his community’s code of silence, MacDonald tells his family story here with gritty but moving honesty.
“[A] rare and compelling book . . . Highly passionate.” —Liam Ford, Chicago Tribune
“His anecdotes have the searing power of a redeemed sinner’s fiery sermon. His swift, conversational style sweeps you into his anger and sorrow. He is a born rabble-rouser whose emotional power numbs the reader’s reason.” —Charles Carberry, USA Today
is a memoir filled with desperation and despair, but there is also hope in it . . . MacDonald’s discovery of his vocation in neighborhood activism is a refreshing change from most memoirs, which so often . . . are largely concerned with describing an ascent to celebrityhood.” —Julian Moynahan, New York Review of Books
“Michael Patrick MacDonald takes us on a heartbreaking tour of his South Boston family.” —Frank McCourt, Irish America Magazine
“An incendiary, moving book that startles on nearly every page . . . MacDonald’s nimble prose and detailed recall of grim times long past make for luminous reading; his hard-won conception of how ghettoized poverty spawns localized violence, and the dignity he brings to lives snuffed out in chaos, gives All Souls
a moral urgency usually lacking in current memoir or crime prose. A remarkable work.” —Kirkus Reviews,
leavens tragedy with dashes of humor but preserves the heartbreaking details.” —Brent Staples, New York Times Book Review
“If you were charmed by Frank McCourt’s Angela’s Ashes but wished at times the author would have got out of the way of his own beguiling style, try All Souls: A Family Story from Southie,
Michael Patrick MacDonald’s guileless and powerful memoir of precarious life and early death in Boston’s Irish ghetto.” —R. Z. Sheppard, Time
“A must read . . . All Souls
is poised to become one of the most significant Irish American books of the era.” —Irish Edition
“MacDonald has a gift for narrative, an eye for social detail, and a voice of earned authenticity.” —Jack Beatty, Author of The Rascal
Review: Boston Globe - October 1, 2010
"All Souls: A Family Story From Southie, by Michael Patrick MacDonald (2000): This memoir shows the bigger picture of South Boston's working class and crime worlds through the family saga of MacDonald and his many siblings."
From Chapter 5: “Looking for Whitey”
Another one to make you a slave.’’ that’s what Nana said to Ma, looking at Seamus in the nursery at St. Margaret’s Hospital. Ma just laughed at her. She’d never gotten along with her mother—Ma said she was old-fashioned—and there was no sense in trying to relate now. Nana and Grandpa hadn’t even known Ma was pregnant until she went into labor. Ma kept it from them, knowing they’d judge her and her baby since she wasn’t married to Coley. She just wore big coats and held her big leather pocketbook in front of her stomach whenever she went to their house, among those lace curtain Irish neighbors in West Roxbury. Nana and Grandpa knew about me being illegitimate, but they never mentioned it, since most of their friends from Ireland thought that I’d come from Ma’s marriage to Mac—‘‘a bad marriage but a marriage before God nonetheless,’’ as Father Murphy said. I was close to Nana; she was my godmother and had been Patrick’s godmother too, so she took a special liking to me. I just had to brush off the bad things she said about Ma, and now I had to ignore her frowning gaze at Seamus. To make things more confusing for Nana and Grandpa’s Irish friends, Ma gave Seamus the last name King, from her short marriage to Bob King, whom they’d barely met. She had to put some name on the birth certificate; she knew welfare would never find Bob King, since he was probably homeless; and even though she’d gotten back together with Coley, we couldn’t be sure he’d stick around for too long. Ma was looking out for us again, making sure our welfare check wouldn’t be cut.
All I knew was that I was thrilled to come straight home from St. Augustine’s every day to see my little brother. I remember how clean and fresh he smelled even when he spit up on my shoulder. I was tired of all the battles, the rock throwing and the protests, and I was excited to be around something so new as Seamus. I just wanted to protect him, to keep him as fresh as the day he was born; and I became aware of how hard that might be when I started to take him out for a push around the front courtyard of Patterson Way, with all the buckled-up concrete catching the carriage wheels.
Ma liked me to take him outside every day after school. She always complained that the air in our apartment was bad for kids, with the smell of cockroach exterminator and the radiators going full blast even on a warm Indian summer afternoon. It seemed as if all the kids in the neighborhood had asthma. I’d walk Seamus in circles, around and around, on the beaten-up cement out front. The women on the stoop followed me with their eyes. I kept count so I could tell Ma how many times I’d pushed him around. ‘‘That’s twenty-nine times already!’’ I’d yell up to Ma. ‘‘Keep going,’’ she’d say from the window, ‘‘the air’s good for him.’’ I liked minding Seamus, but everyone wanted to come and look at him and smile in his face. Chickie was friendly to us now, and one time she came up to us, fixing Seamus’s blanket in a motherly way, and yelling up to Ma that all Ma’s kids looked like movie stars. Then she started talking baby talk. ‘‘Hiyaaa, hiyeee sweetie,’’ she sang, in the sweetest softest voice I’d ever heard coming out of her mouth. I started to see how babies did that to people, changed their voices and everything, no matter how mean or tough they seemed right before they’d laid eyes on the baby. Skoochie came by to show me the baby clothes she’d stolen downtown, taking them out of bags and sizing them up against Seamus, lying in his carriage. I sent her up to Ma, and she soon came back downstairs, folding up her empty bags. With Ma’s money in her hand, she called over to some teenagers I’d heard were selling pills. I just kept walking in circles, watching the action in the streets. Kids my age would ask if they could push the carriage, and when I let them they’d start running fast right off the curb toward the traffic—for some excitement, I guess. That kind of stuff made me frantic and nearly got me into a few fistfights, but everyone usually backed down from me, since the kids in the neighborhood were still afraid of my big brothers.
The worst thing about minding Seamus was when I’d hear a neighbor down the street calling someone a douchebag or a cunt. I couldn’t believe they’d say those words in front of a baby. Of course, they didn’t think they were doing it in front of a baby—they were down the street. I half realized that since Seamus was only a few weeks old anyway, it probably didn’t matter what he heard; and when they’d come up to the carriage the same people who’d just called someone a douchebag would start talking baby talk to him and tucking in his blanket. But I couldn’t help worrying for Seamus, with his fresh clean baby smell and brand-new terry cloth baby suits, in the middle of all this anger and confusion and drug dealing and fighting. I still loved our world of Old Colony, but I wasn’t always so sure about that now that I had a little brother to wheel around the broken-up courtyards.
After Seamus was born, the Boston Housing Authority broke down one of our walls for us, adding a second apartment. Only three families in Old Colony had a ‘‘breakthrough’’ apartment. Ma had pulled a few strings with the local politicians she’d met by volunteering for the South Boston Information Center and by playing the accordion at political fundraisers. We were the envy of the neighborhood now, with ten rooms in all, including two kitchens and two bathrooms. We had so much space that Ma had to start collecting furniture from the dumpster to fill up the house. I’d yell out the window to Ma, begging her to stop going through the dumpster, pulling out chairs. I didn’t want anyone to see her. My friends all bragged about their expensive living room sets stolen from the backs of trucks. But she’d just play it up, dragging some contraption behind her up three flights of stairs, ‘‘Look at this beautiful recliner!’’ It was really a lawn chair that one of the ladies on the stoop had left outside, expecting it to still be there when she got back. I was always afraid to let friends in the house, because they might find something that they’d thrown in the trash or just left outside.
We had it made now. Most of us had our own bedroom, and I had a feeling we would be in Old Colony forever. Ten fully furnished rooms with wall-to-wall green, blue, and orange shag rugs; free heat, light, and gas; Skoochie’s designer-label clothes for a quarter the price; all the excitement right out our front windows—‘‘Scenes better than anything on the TV,’’ Ma said—and the thrill of being on the inside of the exclusive world of Old Colony. We were privileged. And even though I was still a little worried for Seamus, I could convince myself, like everyone else, that we were in a superior kingdom.
Click here to see Michael Patrick MacDonald and All Souls featured in the coverage for Dropkick Murphys upcoming St. Patrick's Day performances
- Click here to read an article featuring Michael Patrick MacDonald in the Boston Globe
- Click here to listen to an interview with Michael Patrick MacDonald on KHOW's "The Peter Boyles Show"
- Click here to listen to an interview with Michael Patrick MacDonald on WNYC
- Click here to read an op-ed by Michael Patrick MacDonald in the Boston Globe
- Click here to listen to an interview with Michael Patrick MacDonald on Whitey Bulger's arrest on WUNC's "The Story"
- Click here to read an op-ed by Michael Patrick MacDonald on Whitey Bulger's crimes against a community in the Boston Globe
- Click here to read an interview with Michael Patrick MacDonald in the Boston Phoenix
- Click here to listen to Michael Patrick MacDonald's response to Whitey Bulger's capture on WBUR Radio Boston
- Click here to read an article featuring Michael Patrick MacDonald's response to Whitey Bulger's capture in the Wall Street Journal
- Click here to read an article featuring All Souls in the Boston Globe
- Click here to read an article featuring Michael Patrick MacDonald in The Irish Echo
This guide was made possible by a grant from The John D. and Catherine T. MacArthur Foundation.
Contributors to this community reading group guide include Annmarie Boudreau, teacher at Charlestown High School; Louise Freedman, former Facing History and Ourselves teacher; and the Washington Center for the Book at the Seattle Public Library.
"Judgement Days" by Caroline Hendrie is reprinted with permission from Education Week, vol. 18, no. 38, June 2, 1999.
Through impassioned, brilliant personal storytelling, Michael Patrick MacDonald brings us to Southie's lower end, a poor but intensely insular neighborhood its residents agree is the "best place in the world." Through the eyes of the troubled yet keenly gifted observer he was even as a child, we meet Michael's mini-skirted, accordion-playing, usually single mother who cares for her ten children through a combination of high spirits and inspired "getting over."
But too soon Southie becomes a place controlled by resident gangster Whitey Bulger, later revealed to be an FBI informant even as he runs the raging drug culture Southie supposedly never had. It is a world primed for the escalation of class violence, and then, with sickening inevitability, of the racial violence that swirls around Boston's forced busing in the 1970s. The violence spills into the MacDonald family so that within a few years--a sequence laid out in All Souls with mesmerizing urgency--four of Michael's siblings lose their lives to poverty and drugs and organized crime. All but destroyed by his grief and the Southie code of silence that doesn't allow him to feel it, MacDonald gets out. His work as an antiviolence activist, first in the all-black neighborhoods of nearby Roxbury then back in the Southie he can't help but love, is the healing close to a story that will leave readers shaken and changed.
About the Author
Michael Patrick MacDonald was born in Boston in 1966 and grew up in South Boston's Old Colony housing project. He helped launch Boston's successful gun-buyback program and is founder of the South Boston Vigil Group and works with survivor families and young people in Boston's anti-violence movement. He is recipient of the 1999 Daily Points of Light Award, among many others. All Souls: A Family Story from Southie is his first book.
All Souls Discussion Topics for Community Reading Groups
- What preconceptions about Southie did you bring to your reading of All Souls? How did the book add to or change what you knew?
- Michael Patrick MacDonald writes in chapter 2, "My oldest memories are of my mother crying." What was the author's early relationship to his mother like?
- How do you feel about Ma's relationships to the men in her life? To the social workers who visited the MacDonald family early on in Jamaica Plain?
- Michael Patrick MacDonald comes to hate Mass Mental during the time Davey is a patient there. He says, "I knew Davey had been through bad things, growing up with a father like Mac and finding his baby brother dead. And to me, it seemed he was being punished for having gone through bad things." How do you feel about Davey's life?
- Early in the MacDonald family's life in Old Colony housing project, Michael Patrick MacDonald learned lessons about Southie boundaries--racial, class, and geographic--and codes of behavior. Do you remember what they were? How do these boundaries and codes compare to those of your growing up?
- What are the parents' attitudes toward the behavior of the kids in Old Colony? Are Ma's attitudes toward her children similar to other Southie parents'?
- Michael Patrick MacDonald writes, "Along with the craziness and the cockroaches, the summer of 1974 brought with it great anticipation for the fight of our lives." How did the realization that the buses were coming influence the behavior of the people in South Boston?
- Who were the people and organizations that South Boston residents began to see as the enemy in the busing crisis? And whom did they see as allies? Why?
- How did the author feel about the beatings of the Haitian man he witnessed? How did he feel about the violence directed toward Southie kids?
- What impact did busing have on Michael and on his brothers and sisters?
- How did Southie's code of loyalty play out among Michael and his siblings? Do you think it was a positive or a negative force?
- What role do the police play in the neighborhood throughout All Souls? Was any of this familiar to you?
- What are the things about Michael Patrick MacDonald's portrait of Frankie's life toward the end, and his death, that stick with you the most?
- How does the narrative voice of All Souls change as the MacDonald family tragedies mount up?
- What do you feel is the turning point or points for Michael Patrick MacDonald during Stevie's trial?
A Conversation with Michael Patrick MacDonald
Q: No reader of All Souls could forget Ma. Where is Ma now, and what is her life like?
A: My mother lives in the foothills of the Rocky Mountains in Colorado. She lives in a place without much social life. A place where people don't really talk to each other on the street, so she misses that about a village like South Boston. But she has a much quieter life. She is raising my niece, Maria, Kathy's daughter. I don't think she misses the traumas, the constant onslaught, but she does miss the social life and being able to talk to strangers walking down the street without them thinking she's strange.
Q: Has Southie changed in the 1990s, since you grew up there?
A: It's changed a lot. It's changing now, gentrifying really quickly. Some people say the changes are all good because Southie will be more socioeconomically mixed, but this isn't the direction it is going. The neighborhood will definitely become more upper-middle class. Neighborhoods have a transition where they seem mixed for a while, but that doesn't last. I've never seen it last. So South Boston probably could have been the first functionally diverse neighborhood in Boston, but because of the policy of forced integration combined with the gentrification of the neighborhood outside of the housing developments it's going to become a place that looks like apartheid on the surface--one where everybody in the projects is of color and everybody out of the projects is white, middle class, single, and has no kids.
Q: What are the things about Southie that will never leave you?
A: My mother says that she will never get Southie out of her system. She says she's in a place where she doesn't feel dead, but she doesn't feel alive. That's scary. In South Boston there is a sense of security and a feeling that you don't get in too many communities these days. The old neighborhood is dead in America. South Boston is one of the places that still has that feeling, but it's fast disappearing. For good or bad we always had that sense of neighborhood, the shared struggle, the shared identity. That's something I will always miss, but it's something that most people don't have or appreciate, so I'll just be getting up to date with the rest of the world.
Q: You write about Southie's strong code of silence. Was it difficult or frightening to break this code of silence in writing All Souls?
A: There were frightening times both in my work as an activist and during the writing of the book. It feels like you have no choice, though, and the good outweighs the fear. It's still scary to do things to break the code because it's in your blood to keep silent. But in reality the gangster world falling apart.
Q: The scene in your book when you try for the first time to reach your father by telephone is one of the book's most heartbreaking. Did you ever meet him?
A: The only time I actually ended up seeing my father was in his casket. His sister called me to invite me to the wake and the funeral. I went to find out whatever I could from his corpse. There wasn't much to learn. The irony is, he's buried a couple of rows down from my brothers' graves. The first time I noticed it I didn't stop--there was no connection. It says a lot about who you really are connected to in the world and how little that has to do with blood. It says a lot about what a father is and isn't.
Q: You write about the numbness you felt after the repeated tragedies in your family. Do you still suffer from this, and what has helped you to heal?
A: Your body automatically kicks in numbness around trauma, but after a while even that stops working. But I've learned instead of looking for other ways to numb out to immerse myself in the pain and to deal with it. Face it, face the worst aspects of it. It doesn't go away, but you learn to live with it. You might as well make the best use of it. Through activism, writing--there I'm redeeming my life, making it have some value for other people and the bigger picture.
Q: What do you wish most for Southie?
A: I wish that the opportunities that are there could be seized before it turns into another yuppie neighborhood. The racial mix is reflective of the diversity in the city of Boston, and that can be used to create a strong, functional, working-class community. Southie could become Boston's first functioning diverse and working-class community. I think Boston has missed out on so many opportunities.
Suggestions for Community Reading Group Leaders
- Come prepared with 10 to 15 open-ended questions. Questions that can be answered Yes or No tend to cut off discussions.
- Questions should be used to guide the discussion and keep it on track, but be ready to let the discussion flow naturally. You'll often find that the questions you've prepared will come up naturally as part of the discussion.
- Remind participants that there are not necessarily any right answers to the questions posed.
- Don't be afraid to criticize something about the book, but try to go beyond the "It just didn't appeal to me" statement. What was it about the book that made it unappealing? The style? The pacing? The characters? Did it remind you of a book that you liked/disliked?
- Try to keep a balance in the discussion between personal revelations and reactions and a response to the book itself. Every reader responds to a book in ways that are intimately tied to his/her background, upbringing, and world view. That's interesting, but what's more interesting is how the author chose to present the events in the book, or the author's attitude toward events. It's often too easy to let a group drown in reminiscences; if that's what the whole group wants to do, that's fine, but keep in mind that that is not a book discussion!
Suggestions for Reading Group Participants
A good discussion depends partly on the skills we develop as participants. Here are some suggestions (based on the New York Public Library's book discussion program):
- Speak up! Group discussion is like a conversation; everyone takes part in it. Each speaker responds to what the person before him said. Nobody prepares speeches; there should be a spontaneous exchange of ideas and opinions. The discussion is your chance to say what you think.
- Listen thoughtfully to others! Try to understand the other person's point of view; see what experience and thinking it developed from. Don't accept ideas that don't have a sound basis. Remember: There are several points of view possible on every question.
- Be brief! Share the discussion with others. Speak for only a few minutes at a time. Make your point in as few words as possible; it's more effective in a group discussion. Be ready to let someone else speak. A good discussion keeps everyone in the conversation.
- Share your viewpoint and experience! Don't expect to be called on to speak; enter into the discussion with your comment of agreement or disagreement. When you find yourself disagreeing with other people's interpretations or opinions, say so and tell why, in a friendly way. Considering all points of view is important to group discussions.
- Come with your own questions in mind! As you read the book, make note of the points on which you'd like to hear the comments of group members.
A Short History of Forced Busing in Boston
In June 1974--just as the 1973-74 school year ended--U.S. District Judge W. Arthur Garrity Jr. issued the [school] desegregation order that would soon tear the city apart.
The ensuing conflict, with its widely publicized images of interracial violence, made a lasting imprint not only on this city but on the whole country as well. Rooftop snipers and platoons of police cars, stabbings in schools, and brutal beatings on the streets--those scenes made it resoundingly clear that school desegregation was not a problem confined to the South. It was a dilemma for the nation.
Yet as profound an impression Boston's busing war made elsewhere, its impact was far deeper at home. For a city that has long cherished its image as a cradle of democratic ideals, the trauma has proven difficult to shake.
Many people see its legacy in the public's lack of confidence in the city schools, and in the stark demographic changes the district has undergone in the past generation. Echoes of the busing battles are also easily heard in the city's ongoing debate over how to improve educational quality, especially when the topic turns to the racially charged issue of neighborhood schools.
For these reasons and more, many people believe that neither the city nor its schools have fully recovered from the crisis and its aftermath.
When the case known as Morgan v. Hennigan landed on Judge Garrity's desk, there were no laws authorizing separate schools for blacks and whites in Boston.
On the contrary, a 1965 law aimed at eliminating schools that enrolled a majority of non-white students had made Massachusetts the first state to impose sanctions on districts with racially imbalanced schools. The city school committee had been resisting the state's efforts to enforce that law for years when the National Association for the Advancement of Colored People agreed to finance a federal lawsuit by a group of Boston blacks in the spring of 1972.
The suit pitted activists such as Ruth Batson, a leader of the NAACP's struggle with the school committee in the 1960s and '70s, against school segregationists, often led by former U.S. Rep. Louise Day Hicks, who opposed busing and sought to repeal Massachusetts' racial-balance law.
In weighing arguments in the case, Garrity focused on whether school officials had engaged in a pattern of actions and inaction that amounted to deliberate separation of the races. On June 21, 1974, he concluded that they did.
"There was a very deliberate discriminatory operation in place," says Garrity, who still hears cases at age 78.
By the time of his decision, a legal battle between the district and state had already yielded a directive requiring the city to implement a far-reaching desegregation plan by September 1974. As a remedy to the violations he had found,
Garrity turned to that plan--which critics had reviled, saying it would tear the city apart. The buses would roll, he decreed, in 2-1/2 months.
The ruling came as a shock.
"I'll never forget that day," recalls John M. Halloran, a longtime Boston school administrator who now oversees the district's desegregation efforts. "My reaction was, 'My God, we can never get this in place by September. Chaos will ensue.'"
As it turned out, the hasty reassignment of thousands of students proceeded calmly in most schools. But it was the exceptions that the world noticed then, and that the city remembers today.
That autumn, it was South Boston--then a largely working-class section of the city long dominated by Irish-Americans--that emerged as the chief battleground.
Just how much the city and its schools have suffered--or benefited--from court-imposed desegregation remains a matter of lively debate.
Many have concluded that busing accelerated the flight from the public schools by whites and the middle class that was already underway. Others contend that busing's contribution to that process was only marginal. In the fall of 1972, whites made up some 60 percent of the district's 90,000 students. Four years later, enrollment had fallen to 71,000, and whites made up less than 45 percent.
Today, 63,000 students attend the city's schools. Only 15 percent of them are white, 49 percent are black, 26 percent are Hispanic, and the rest are mostly Asian-American, with a tiny percentage of American Indians. At least 71 percent of students come from families poor enough to qualify for free or reduced-price lunches, a figure that school officials say underestimates the level of poverty.
(Excerpted from "Judgment Days" by Caroline Hendrie in Education Week, June 2, 1999.)
Boston Busing History
Boston Bar Association. Desegregation: The Boston Orders and Their Origin, 1995.
Buell, Emmett. School Desegregation and Defended Neighborhoods: The Busing
Controversy (Lexington Books, 1982).
Bullard, Pamela and Judith Stoia. The Hardest Lessons (Little, Brown, 1980).
Commonwealth of Massachusetts Board of Education. "Report No. 3: Boston
School Desegregation," 1987.
Cottle, Thomas J. Busing (Beacon Press, 1976).
Dentler, Robert A. and Marvin B. Scott. Schools on Trial: an Inside Account of the
Boston Desegregation Case (ABT Books, 1981).
Formisano, Ronald. Boston against Busing: Race, Class and Ethnicity in the 1960s
and 1970s (University of North Carolina Press, 1991).
Garrity, Judge W. Arthur. The Boston School Decision (Community Action
Committee of Paperback Booksmith, 1974).
Lukas, J. Anthony. Common Ground (Alfred A. Knopf, 1985).
Lupo, Alan. Liberty's Chosen Home: The Politics of Violence in Boston (Little,
Malloy, Ione. Southie Won't Go: A Teacher's Diary of the Desegregation of South
Boston High School (University of Illinois Press, 1986).
Metcalf, George R. From Little Rock to Boston: The History of School Desegregation
(Greenwood Press, 1983).
Writing To Heal
Aftel, Mandy. The Story of Your Life (Simon & Schuster, 1996).
DeSalvo, Louise. Writing as a Way of Healing (HarperSanFrancisco, 1999).
Hall, Donald. Life Work (Beacon Press, 1993).
Herman, Judith. Trauma and Recovery (Basic Books, 1997).
Hyde, Lewis. The Gift: Imagination and the Erotic Life of Property (Random House, 1983).
Lydon, Susan Gordon. The Knitting Sutra (HarperSanFrancisco, 1997).
Mairs, Nancy. Carnal Acts (Beacon Press, 1996).
Mairs, Nancy. Ordinary Time (Beacon Press, 1993).
Maisel, Eric. Fearless Creating (Putnam, 1995).
Raine, Nancy Venable. After Silence (Three Rivers, 1999).
Scarry, Elaine. The Body in Pain (Oxford, 1985).
Comments about All Souls from Authors and Critics
View the Teacher's Guide
"An incendiary, moving book that startles on nearly every page. . . . MacDonald's nimble prose and detailed recall of grim times long past make for luminous reading; his hard won conception of how ghettoized poverty spawns localized violence, and the dignity he brings to lives snuffed out in chaos, gives All Souls a moral urgency usually lacking in current memoir or crime prose. A remarkable work."
—Kirkus Reviews *
"All Souls is a rowdy, sometimes raucous venture into the MacDonald Family's inner vault. It will leave you weeping and laughing uproariously. A must-read for the uplift of spirit, and for the courage shared by this grand writer."
—Malachy McCourt, author of A Monk Swimming
"After reading this harrowing memoir of a Catholic boyhood in a South Boston housing project, 'poverty' will never be a mere category to you again. It will wear the face of a family that loses children to drugs and crime, and that face will be white. Michael Patrick MacDonald has a gift for narrative, an eye for social detail, and a voice of earned authenticity."
—Jack Beatty, senior editor, The Atlantic Monthly and author of The Rascal King
"This is an extraordinary family story about an extraordinary place called Southie. It is a story of a young man climbing a mountain of violence, to emerge with love and hope. All Souls grasps your emotions from the first pages and won't let go."
—Howard Zinn, author of A People's History of the United States
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